Julie Didion

Biography

Why clay? And why women, and women’s shoes? I feel that clay expresses a perfect dichotomy: utmost fragility, utmost strength. It undergoes a transformation by fire from simple earth to an everlasting material. And to express the female – just a fraction of the complexity and the mystery, the joyfulness and the strength, the bewildering diversity of roles and expectations – this is an honor, and this is my challenge. To portray women as warriors is merely a manner of reminding us all of the struggle, within and without, to be the great and heroic women than we can be.

I find shoes, and women’s shoes in particular, to be potent objects, imbued with a curious mixture of sensuality, utility, and secrecy – the original meaning of the word shoe was “to obscure”. Perhaps women’s high heels deserve to be put on a pedestal and admired for their line, form, color, and architecture – not to serve as torture chambers for women’s feet.

No Results Found

The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.

Sold Archive

 

Do you own a piece by this artist?

If you’re interested in consigning it with us, get in touch!

Micah Crandall-Bear (1980 - )

Biography

The work of Micah Crandall-Bear is the culmination of years of practice, sacrifice and patience. Knowing from a young age he wanted to pursue a career as an artist, he dedicated himself to his craft.

Rebelling against the peaceful vegetarian co-housing community his parents founded, Micah moved out on his own at age 17. Micah began an internship at the Michael Himovitz Gallery on Del Paso Blvd through a program at Sacramento City College. Chuck Miller, the gallery owner and recipient of the California Lawyers for the Arts Artistic License Award, quickly noticed the talent and passion of his young intern. Chuck negotiated the sale of Micah’s first piece and was a mentor and ambassador for Micah’s career until he died in 2009.

Micah used his youthful angst to fuel his next body of work. He created a series of figurative works with hard urban tones, text, spray paint, and graffiti. Pieces from this period were shown in the Sacramento Public Law Library, the Attorney Generals Office, and The Sacramento Department of Justice.

Micah had a career breakthrough when the California Lawyers for the Arts invited him to participate in the Creative Merger group exhibition along side M. Louise Stanley, Al Farrow and Troy Dalton. The press took notice. Micah was written up in the Sacramento News and Review and his work was featured on the cover of Because People Matter Magazine.

As Micah’s career grew, so did his artistic maturity and ambitions. He abandoned the youthful street inspirations and began experimenting with stripes and color fields. Micah was one of a few leaders pushing the Sacramento art community to recognize and support abstract art.

This persistent spirit earned him the first ever abstract show at the 20th Street Art Gallery. The work from this period attracted art consultants, interior designers, and corporations. His work now adorns the walls of skyscrapers in San Francisco, university hospitals, law firms, offices of development companies, the lobby of a well-known social media corporation, and many private residences. His work has been featured in Sacramento Magazine, the Sacramento Bee, the Sacramento Business Journal, ArtSlant and on Fox 40 News.

Micah shows regularly and his reputation has brought him consistent commissions and support from both personal and public collectors. He can be found in his sun-lit, urban studio where he paints almost every day on his current series, Develop.

No Results Found

The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.

Sold Archive

 

Do you own a piece by this artist?

If you’re interested in consigning it with us, get in touch!

1