The Still Life

A Group Show Featuring Six Female Painters 

On VIEW  |  February 4 – March 4, 2021

Louise is an emerging artist originally from Adelaide, Australia. She is currently based in the Bay Area, California where she paints and draws with the aim to capture the beauty of nature and moments of quiet reflection. Her subjects range from hand-picked flowers and fruits, to the scattering of personal objects one might find in any home. Her portraits aim to capture a sense of the person within. Louise’s drawings and paintings are all completed from life allowing her to observe, understand and interpret nature and light in all its complexity.

Louise’s artistic journey began in earnest in 2015 when she left her 10-year career as a groundwater scientist to pursue her ever-present passion for drawing and painting. She attended numerous workshops in Australia, before undertaking full-time artistic training at the Grand Central Atelier in New York in 2016 and 2017 under the direction of Jacob Collins, Edward Minoff, Justin Wood, Devin Cecil Wishing, Patrick Byrnes, Gregory Mortenson, Katie Whipple, Kathryn Engberg and Anthony Baus.
In 2018, Louise has been a finalist in the Doug Moran Portrait Prize, the Eutick Memorial Still Life Award, the Lethbridge 10000 Painting Prize, and the Emma Hack Art Prize.

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Karen Barton chronicles our relationship with food and packaging through her contemporary still life paintings. Her works – from nostalgic spice tins to the hottest new flavors of high-end ice cream – are celebrations of personal and familial memories, cultural symbolism, and social commentary. In this way, she places herself in a long line of still life painters throughout history who have used food to represent both the significance and the fleetingness of everyday moments and things. Karen knows that food and the feelings it evokes are very personal and simultaneously integral to larger cultural identities.

As an only child, Karen was brought up on US military bases in Germany. There, her history-buff father and artistic mother exposed her to the great narratives woven into regional food cultures. Their family of three would regularly stuff themselves into a non-airconditioned VW square-back and head out on adventures to historical sites across Europe that always included finding good places to eat. Car windows rolled down, hair whipping furiously, bright colored suitcases stacked high in the backseat, and guided by a deeply creased old-fashioned road map, Karen learned to love the intersection of history and food. “It seemed as if every place we went had a story,” she recalls. And often these stories were connected with the local cuisines.

Her childhood culinary adventures were not limited to the historic. Much to her mother’s dismay, Karen and her father shared a passion for the prepared foods of the day — Swanson’s TV dinners, Sara Lee frozen brownies, Juicy Fruit gum, Hawaiian Punch, Pop Tarts, Ding-Dongs, and hot dogs on a bun were all high on their list. Her mother considered these products questionable and would only rarely relent.

Whatever the genesis, Karen’s paintings capture foods of today that will become someone’s nostalgic memories and foods from times past that can poignantly evoke the experiences they accented. Karen was always interested in art. “As a child I literally drew hundreds of horses that I fantasized about owning in a gigantic stable,” she recalls. Her mother frequently created with her, making crafts or drawing and painting, while sharing memories of her own past.

But art wasn’t really considered a sensible career choice, so her traditional parents encouraged Karen to pursue a “real profession.” Honoring their wishes, Karen graduated with a teaching degree, but she managed to also squeeze in an art minor. As a result, she enjoyed a 30-year career as a first-grade teacher. And, not surprisingly, art time was always a favorite part of the day for her students (and their teacher).

Despite the rigors of teaching, Karen never gave up on her art pursuits. Whenever school vacations came along, the paint brushes came out; and she continued to develop her painting skills. In the back of her mind, she always had the goal of becoming an artist. And now that dream has come to pass. One year after retirement, she picked up her brushes and embarked on her new life as a professional artist, with the full support of her husband and grown son.

In the beginning, Karen painted a variety of subject matter. But one day she watched a TV documentary on the life of Gloria Vanderbilt. When she learned that Vanderbilt painted vignettes of her memories and experiences, often writing her thoughts on her paintings, Karen was profoundly affected. She became inspired to paint some of the wonderful foods that lived in her memory. Her early food and product paintings sparked conversations with relatives and friends about their favorite memories. And the rich discussions that ensued established Karen’s desire to create a visual history of foods — past or present — that bring comfort, spark delight, or hold personal significance. Just as sharing food with one another creates a bond, Karen hopes that her paintings will create connections. She sees each piece that she paints as a small history with a story that is both already present and still waiting to be told by the viewer or collector.

Working in oils with brush and palette knife, Karen describes her painting style as “messy realism.” It suits her to be meticulous and also to create soft edges that break linear boundaries. In her work, you can see the influences of two of her favorite painters — Nicholas Simmons, whose bold, bright paintings refused to be constrained by the traditions of his medium, and Wayne Thiebaud, who loved color and painted food with passion. Karen also loves the vibrant color, subject matter, and compositions of Van Gogh, Renoir, Degas, and Toulouse-Lautrec.

She muses, “I am attracted to color and texture, as well as, visual contrasts. I like for my paintings to speak for themselves at a distance and to grab one’s curiosity with their texture and interaction of colors when up close.”

Karen Barton lives just south of Seattle, Washington, with her husband and their sassy standard poodle, Libby.


Vita Kobylkina is a self-taught artist who was born in Ukraine and currently resides in Salt Lake City, Utah. Her paintings cover subjects ranging from pet portraits to various food items and vintage objects that she collects. She takes pleasure in the meditative moments that painting provides and enjoys the challenge of painting novel subjects through commissioned artwork. In her free time, when she’s not at the easel, Vita enjoys exploring the outdoors with her two dogs Jax and Scout.


Polly LaPorte, a California fine art painter was born in San Francisco 1959, grew up in Placerville and currently lives in Sacramento. Her earliest exposure to art was as a young girl. Polly’s grandmother, Ethel Pierce Nerger was a San Francisco artist who now has paintings in the Crocker Art Museum permanent collection.

As a child Polly remembers spending time with her grandmother making art. Art supplies were kept nearby in a special drawer both at home and at grandma’s house. Life in Placerville shaped her art life, starting in grammar school with winning a blue ribbon at the El Dorado County Fair Art Show. Awarded an art scholarship, she attend Sugarloaf Art Camp, where she returned each summer as a student. She became a teacher at camp, then the art director. She was inspired by the simple act of painting and drawing straight from the heart, putting on canvas the natural wonders and images that moved her most.

Polly graduated with a BFA at UC Davis, taking several classes from Wayne Thiebaud. It was while she was taking a figure painting class with Thiebaud that she became focused on capturing the human figure and how to use dynamic color. She graduated with a bachelor’s degree in fine art and went to work in the commercial arts. Graphic design and broadcast design became her profession, leading to her position as Art Director at the abc affiliate television station, News10 in Sacramento. While working in television she won an Emmy award for animation, a Sacramento Ad Club award, A PBS Gold award, and a Telly award for graphic design. This month one of her paintings was chosen by Jibe in Natomas to be used on a community banner. Last summer her work was collected by patrons at the Clarksburg Library Fund raiser. Polly continues her graphic design freelance work with Crocker Branding, a Sacramento based Ad Agency.

Polly joined the daily painting movement in 2014 after leaving her job in television. Her dedication to improve her painting skills led her to study with Terry Miura Studios and to take master painting workshops by Craig Nelson, Sarah Sedwick, Bobbi Baldwin, Victoria Brooks, Philippe Gandiol, and John Poon. During this new fine art chapter, Polly LaPorte has shared her joy and used her fine art skills to create colorful paintings and drawings that tell a story. Polly also teaches private art classes in her studio. Polly’s dearest wish had always been that her artwork would be a messenger of happiness and inspiration to others – a message to slow down, appreciate the little details in life, and to look for beauty in the world around us. Dedication and singular-minded focus on the ultimate goal of improving her craft is making Polly LaPorte, a young artist with a brush from the small country town of Placerville, California a collectible artist today.


Sarah Sedwick is an oil painter who makes her home in Eugene, Oregon. Born in Cleveland, Ohio in 1979, she began oil painting at age ten. In 2001, she earned a BFA from Maryland Institute, College of Art, with a focus on illustration and painting, and a minor degree in art history. Her work focuses mainly on still life and portraiture, painting from direct observation. 

Sarah has been writing a studio blog since 2008, posting new paintings as they’re made and chronicling her art journey. She is also active on Instagram and Facebook.


Teaching is an integral part of her creative work. She teaches still life and portrait painting workshops around the country and internationallly, as well as an online art mentorship program.


Life can be busy and chaotic; I find creating art to be a refuge and source of rejuvenation. I paint ordinary objects that are present in my home and part of my family life. Often, as I make dinner or play with my children, an object will beautifully catch the light, and I’ll snap a quick photo to paint later in my studio. Much of my work is inspired by those small moments with my family. I want my paintings to feel clean and simple—the stillness and simplicity resonates with my quiet, introverted soul. I like to think it can bring the same feeling of calm to others. Many lead busy, loud, chaotic lives these days and I hope my paintings can be a little escape for them as well.

Megan Trueblood is a mother and artist residing in Orem, UT. She grew up in the Salt Lake Valley with two creative parents who encouraged her artistic journey from a young age. Finding beauty in the familiar and the everyday, her work is meant to inspire peace and provide a respite from the chaos of our busy lives. She has always been interested in the interaction of color and the use of negative space, and explores both in her current body of work. Megan received her BFA from Brigham Young University, where she has also taught as an adjunct professor. She has shown her work in many local and national galleries and exhibits.